We are celebrating the release of our 2015 Pinot Noir with a month of Pinot-related activities at cellar door. Come along and help us celebrate the glory of Pinot Noir.
Each weekend at cellar door, you can taste a flight of Pinots going back to 2010. We will have 2010, 2012, 2013, 2014 and 2015 on tasting for $10 per person.
And we will have a mystery bottle in a blind-tasting competition. Win a dozen bottles of Pinot Noir if you can guess the identity of the wine more accurately than anyone else.
Saturday and Sunday 12th/13th November--our famous duck sausage sizzle. A great match with a glass of Pinot Noir.
Saturday and Sunday 19th/20th November--Pinot-inspired cheese platters.
And finally, we will present a Pinot Noir Masterclass at our CBD location on Tuesday 22nd November. Tasting wines from all over the world, this is definitey a must-attend event. Places are strictly limited, so book early--email us at firstname.lastname@example.org. Cost is $50 pp.
The Six Nations Wine Challenge is unlike any other wine show. You can't just enter your wines--instead, the entries are chosen by leading wine writers. Six countries (Australia, New Zealand, Argentina, Chile, South Africa, USA), six leading opinion-makers, six hundred wines in total.
This year, the 2013 Fume Blanc was selected by Huon Hooke as one of the Australian entries in the Sauvignon Blanc class. This in itself was a great accolade and when the results were published recently, we were even more pleased.
As you might expect, the class was won by New Zealand but our Fume put in a great effort and was third in the class, beating many famous names and furthering our belief that we have created a unique and genuine style. It was awarded a double gold which I guess means that it is twice as good as a single gold medal wine!!
You can find more information on this show at www.boutiquewines.com.au.
In the meantime, enjoy the 2013 Fume Blanc while it lasts.
Our wine dinner at Noir last night was a great success.
I'm pretty sure all guests had a good time. The food was excellent (how about the beetroot dust!!) and the wines, dare I say, were just as good.
There's no doubt one or two of them were very young and not at their best yet (yes, I'm looking at you, 2013 Cabernet Franc and you as well, 2013 Peter's Block Pinot Noir) but we enjoyed them nevertheless.
For those of you who are never sure about how much wine to lay in for an event such as this, I can advise that the average per capita consumption last night was 1,150 mls. Sure, a little bit was discarded into spittoons but it wasn't much....
On July 4, Squitchy goes American... we have invited Garret Huston, owner of the Mason Dixon American Sandwich bar, to create some masterpieces at the cellar door. Come along between 12 noon and 3 pm to try one of Garret's amazing sandwiches...New York style Reuben, Carolina pulled pork, Miami style Cubano with Key Lime pie to finish.
It's going to be a great day--if it's cold and wet, you can keep warm in our cosy cellar door. If it's sunny, you can enjoy our great view with one of the best sandwiches you'll ever try....See you there.
Plenty of people are weighing into this discussion so I thought I could too….
What is natural wine? For that matter, what is unnatural wine? The hot topic these days on the blogosphere, amongst those who share more than a healthy interest in wine is this so-called “natural wine”. Its proponents claim it is the only way to make authentic wine and that any wine not made this way is “industrial swill”. Pretty strong statements, as I am sure you will agree so let’s have a closer look…..first by trying to figure out just what we are talking about.
Can we come up with a definition? I don’t believe you could define “natural wine”, nor should you. The way I see it, “natural” wine is a state of mind, not a set of rules. It is the alcoholic version of the trend to organic foods, farmers markets, green energy and so on.
I can accept the argument that modern consumers want closer connection with producers who share their values of authenticity, low intervention, artisan, hand-made, free from corporate interference and all that. So winemakers can respond by producing wines that “subvert the dominant paradigm” as it were. They call such wines “natural”.
Depending on your point of view, these “natural” wines can be a stairway to heaven or simply oxidised p*ss. You choose. And your choice says plenty about your worldview. For, at the bottom of all this, is a philosophical debate. It’s about how we judge, how we discriminate, how we value.
For those of the old school, the traditionalists who hang on to their belief that there must be some attempt at objectivity in the assessment of wine, this post-modern world of relativism is very confronting. To these traditionalists, there are such things as faults in wine–things such as excessive volatility, oxidation, cloudiness, bacterial spoilage. They argue that wine should be (relatively) free from such faults in order to show its true character. The Australian wine show sysem has operated with this viewpoint since its inception in the nineteenth century.
But in the modern worldview, such ideas are outmoded. It’s all gone relativist–just as post-modernists will not acknowledge the primacy of any particular cultural viewpoint, so it is with wine–it’s what YOU like and if the message is louder than the medium then that’s the price to be paid in the new world of natural wine. A key point about natural wine is that it is a reaction to a perceived industrialisation of winemaking. The ability of large wine companies to produce millions of bottles of clean, well-made at a price people can afford is somehow seen as ripping the heart out of wine. Such wines are despised as having no soul, whatever that means. They are also accused of being chock-full of nasty chemicals and additives.
I am not going to enter this debate. You can probably guess my views on “natural” wine already. Every winemaker I know takes the responsibility of making a product that people will drink very seriously. I have never met one who did not want to make wine with the least intervention possible. For some, that intervention goes further than it does for others, but all of them want their wines to be safe, healthy and as pure as possible.
But back to “natural” winemaking–we really have subverted the dominant paradigm when wines that might be oxidised, acetic, cloudy, unstable, bacterially challenged and more can be praised for their authenticity, their life-affirming attributes, their purity, their all-round goodness.
With the advent of “natural” wine we are approaching an inflexion point in how we view and value wine. Just what you make of it all may depend on whether you think activated almonds are for real or not.